Two Weeks...
Mar. 6th, 2011 10:17 pmMy, how time flies sometimes, when you're having fun. Or, you know, not.
I've been having vivid dreams lately, which probably means something. I had a strange, semi-lucid dream recently. I woke up one morning before my alarm clock went off and I wanted very much to go back to sleep before it did. I was lying there trying to do just that when I noticed someone walking around in the bedroom. I knew it wasn't my lovely wife, so I asked, "Who's there?"
No answer. I asked again. "Who's there?"
Still no answer, though I caught glimpse of someone in a gray suit just going toward the door. "Who's there, dammit!" I yelled. The figure turns and walks over to stand by the bed. It's my youngest brother. He looks at me, then leans over and says, "I'm here to tell you that you are sleeping."
At which point I realize that he's right. I am asleep and I'm having a lucid dream. He, having delivered his message, then turns and walks out of the bedroom. I call to him through the open door, "As long as you're here, send some hot starlet in here!" After all, I figure, no reason not to waste a perfectly good lucid dream. Alas, then I really did wake up.
Writing Stuff ahead--be warned.
I've been struggling with my writing for a while, trying to recapture my mojo since the long hiatus while I was packing up to sell the house, then moving, and unpacking, and dealing with the household-wide illness following the move. It's been slow. Much slower than I'd hoped or expected, but I think--I hope--I've regained my footing.
I finished and submitted a new story this week. The first one in far too long, but only the first of many, if I can keep at it. I sent it to Ellora's Cave, an erotic romance epublisher, much larger (with a much bigger audience) than Cobblestone Press. If they accept it, I hope it will garner more sales than I've made there.
I've also got five short erotica tales epublished at Smashwords, Amazon, and Barnes & Noble (and Sony, Kobo, and other sites via Smashwords' distribution agreements). I've assembled them into a single compilation file as well, and will be publishing that tonight or tomorrow as well. The individual stories have been priced at $0.99 each; the collection will go for $2.99, which a) will save money for anyone who wanted to buy all five stories, and b) will net me a much bigger piece of the pie (70% of $2.99, or $2.09 rather than 35% of $0.99, which would add up to $1.75 if someone bought all five short stories individually).
I am following Dean Wesley Smith's advice in this regard. I've been reading his blog religiously, where he's been discussing the changes in publishing, and chronicling his experiences (and others') as they try to learn how to surf the wave of change. One of the things I keep reading, in Dean's blog, as well as in others by other writers, is that it may be better financially to pursue self-publication than to try to sell a book to New York. I've seen a number of people run the numbers based on typical advances, sales, accounting, and whatnot, and it seems to be true.
Nor are they cherrypicking the handful of people who've been making huge sales (and profits) self-publishing. I won't try to summarize it all here (read Dean's blog, or Kristine Kathryn Rusch's blog, or J. A. Konrath, or Mike Resnick, and others to get the full story). But it seems to make sense.
Add to that, that there are no publication length restrictions in epublishing. Unlike traditional publishing, you can write short stories, novellas and novelettes (or "short novels"), novels, or gigantic doorstop epics. It's all good. You're not limited to the lengths New York can profitably publish and sell. Whatever length the story needs to be is a publishable length. Nobody has any real handle on the "right" price yet, though there are strongly held opinions; I think probably price will ultimately settle down to fairly standard pricing based on overall length, but that's just a guess.
So rather than try to write to an arbitrary 90-120,000 word length, I want to try to produce more but shorter works. Traditionally published novels used to be much shorter than they are now, from 30,000 words on up. There were always exceptions (romance, for instance, or "men's adventure" series*, westerns, and the like), but for a long time anything longer than a short story but not a full-length (by the ever-growing standard of NYC publishing) novel was hard to get published anywhere.
Epublishing has no paper costs, no minimum page or word count. Shorter works, priced below what paperbacks (to say nothing of hardbacks) cost are a viable option again. I've even seen it suggested that old-fashioned serials, continuing stories written and published at regular intervals are a possibility. I'm not planning to try that, but I see no reason why it couldn't work.
*The Destroyer novels, for instance. Over140 books in that series, and still going. The Executioner, Able Team, Longarm (a western series), and others. The novels weren't long, but there were a hell of a lot of them. Going back even further, the classic pulp novels (Doc Savage, The Shadow, and others) were similar. No reason you couldn't write something like that and epublish it today.
I've been having vivid dreams lately, which probably means something. I had a strange, semi-lucid dream recently. I woke up one morning before my alarm clock went off and I wanted very much to go back to sleep before it did. I was lying there trying to do just that when I noticed someone walking around in the bedroom. I knew it wasn't my lovely wife, so I asked, "Who's there?"
No answer. I asked again. "Who's there?"
Still no answer, though I caught glimpse of someone in a gray suit just going toward the door. "Who's there, dammit!" I yelled. The figure turns and walks over to stand by the bed. It's my youngest brother. He looks at me, then leans over and says, "I'm here to tell you that you are sleeping."
At which point I realize that he's right. I am asleep and I'm having a lucid dream. He, having delivered his message, then turns and walks out of the bedroom. I call to him through the open door, "As long as you're here, send some hot starlet in here!" After all, I figure, no reason not to waste a perfectly good lucid dream. Alas, then I really did wake up.
Writing Stuff ahead--be warned.
I've been struggling with my writing for a while, trying to recapture my mojo since the long hiatus while I was packing up to sell the house, then moving, and unpacking, and dealing with the household-wide illness following the move. It's been slow. Much slower than I'd hoped or expected, but I think--I hope--I've regained my footing.
I finished and submitted a new story this week. The first one in far too long, but only the first of many, if I can keep at it. I sent it to Ellora's Cave, an erotic romance epublisher, much larger (with a much bigger audience) than Cobblestone Press. If they accept it, I hope it will garner more sales than I've made there.
I've also got five short erotica tales epublished at Smashwords, Amazon, and Barnes & Noble (and Sony, Kobo, and other sites via Smashwords' distribution agreements). I've assembled them into a single compilation file as well, and will be publishing that tonight or tomorrow as well. The individual stories have been priced at $0.99 each; the collection will go for $2.99, which a) will save money for anyone who wanted to buy all five stories, and b) will net me a much bigger piece of the pie (70% of $2.99, or $2.09 rather than 35% of $0.99, which would add up to $1.75 if someone bought all five short stories individually).
I am following Dean Wesley Smith's advice in this regard. I've been reading his blog religiously, where he's been discussing the changes in publishing, and chronicling his experiences (and others') as they try to learn how to surf the wave of change. One of the things I keep reading, in Dean's blog, as well as in others by other writers, is that it may be better financially to pursue self-publication than to try to sell a book to New York. I've seen a number of people run the numbers based on typical advances, sales, accounting, and whatnot, and it seems to be true.
Nor are they cherrypicking the handful of people who've been making huge sales (and profits) self-publishing. I won't try to summarize it all here (read Dean's blog, or Kristine Kathryn Rusch's blog, or J. A. Konrath, or Mike Resnick, and others to get the full story). But it seems to make sense.
Add to that, that there are no publication length restrictions in epublishing. Unlike traditional publishing, you can write short stories, novellas and novelettes (or "short novels"), novels, or gigantic doorstop epics. It's all good. You're not limited to the lengths New York can profitably publish and sell. Whatever length the story needs to be is a publishable length. Nobody has any real handle on the "right" price yet, though there are strongly held opinions; I think probably price will ultimately settle down to fairly standard pricing based on overall length, but that's just a guess.
So rather than try to write to an arbitrary 90-120,000 word length, I want to try to produce more but shorter works. Traditionally published novels used to be much shorter than they are now, from 30,000 words on up. There were always exceptions (romance, for instance, or "men's adventure" series*, westerns, and the like), but for a long time anything longer than a short story but not a full-length (by the ever-growing standard of NYC publishing) novel was hard to get published anywhere.
Epublishing has no paper costs, no minimum page or word count. Shorter works, priced below what paperbacks (to say nothing of hardbacks) cost are a viable option again. I've even seen it suggested that old-fashioned serials, continuing stories written and published at regular intervals are a possibility. I'm not planning to try that, but I see no reason why it couldn't work.
*The Destroyer novels, for instance. Over140 books in that series, and still going. The Executioner, Able Team, Longarm (a western series), and others. The novels weren't long, but there were a hell of a lot of them. Going back even further, the classic pulp novels (Doc Savage, The Shadow, and others) were similar. No reason you couldn't write something like that and epublish it today.